#9 Causten Round by Trustha
Q1: Where did the idea for the typeface come from? Did you set out to address a specific use or suite of the application? Was this a design you’d had in mind for a while?
Ans: The idea behind Causten Round is based on my observations of popular fonts – especially the “Best Sellers” – on the MyFonts site. I decided to design a geometric sans-serif font family. The initial concept was a design of low stroke contrast, consistent angled endings, and the letter t with neo-grotesque influences. The Causten Round designs are unlimited in their use. They are very suitable for text and display usage in many creative projects.
I’ve just started work on another geometric sans serif font family. However, this design will take a little longer than normal to produce. I learned a lot from mistakes made in the previous typeface design and acquired a lot of knowledge. This knowledge has become the basis of my passion to work on the next project.
Q2: What is the one or two most important things graphic communicators should know about the typeface, or how will the family of fonts help them create better design?
Ans: The important thing for a graphic communicator to know is the meaning of the characteristics of the typeface. A typeface can convey an implied message, or messages. A graphic communicator must be good at choosing the type of letter, which is in accordance with the message to be conveyed to the audience. Causten Round is helpful in this process, making it easier to select body text and headline fonts. It also facilitates the application of design principles, such as unity, balance, proportion, emphasis, and rhythm.