Fonts from Fontsmith.
They’ve developed a strong library of beautiful fonts, which they own and licence to designers, advertisers and brands. And, they’re constantly crafting and adding new fonts to keep their body of work fresh and relevant.
Popular Fontsmith fonts.
FS Split is no ordinary typeface. Its irregular proportions make it unique, with round letters appearing wide, and straight letters narrow. Other quirks include its eclectic crossbars – the uppercase ‘A’ has an unusually low bar, while the bar on ‘G’ is particularly long.
Named after a southerly wind that blows over the Mediterranean Sea, FS Ostro breathes warmth into letterforms with their roots in colder, stark Modern typefaces. FS Ostro is a typeface imbued with balanced and sophisticated elegance. It’s discerning and sensitive, self-assured but understated. One for the well-travelled reader.
FS Industrie is an extraordinarily versatile new type system, with 70 variants built around five different widths and seven different weights. Type in the future will be increasingly variable, and FS Industrie is specifically designed to address the changing needs of brands.
FS Emeric reconciles a pair of seemingly opposing approaches: the systematic but chilly functionalism of early modernist typography, trapped in time, and a warmer, more emotional, more optimistic spirit.
What Fontsmith created was something that marries precision with expression, geometry with movement, functionality with humanity.
FS Emeric has a sharp, kinetic edge that cuts across design disciplines – graphic, fashion, product, automotive. It’s about what’s happening right now.
FS Conrad, is a conceptual typeface. Formed from the theoretical ideas of the work of artist Conrad Shawcross for his Chord exhibition. FS Conrad, an intricate display typeface composed of fine parallel lines that overlap to create a multilayered texture within words.
FS Albert is a charismatic type: a warm, friendly sans serif face with a big personality. Open, strong and amenable, and available in a wide range of weights and styles, FS Albert suits almost every task you put it to. FS Albert now covers more than 100 languages, making it ideal for bringing a consistent typographic style to the communications of global brands.
To create a truly global font family, FS Albert needed an Arabic script sibling. Emanuela Conidi set about the delicate task of creating an alphabet to harmonise visually with its Latin sans serif counterpart so that the two could be used side-by-side in bilingual publications. Working with the Kufic style of script, with its simpler, geometric forms, Emanuela sculpted letters with the a similar optical size, weight and rhythm as FS Albert, with open counters and monolinear strokes.
Fonts in use.
Monotype Fonts
Fontsmith Fonts are included with Monotype Fonts.
Fonts from Fontsmith.
They’ve developed a strong library of beautiful fonts, which they own and licence to designers, advertisers and brands. And, they’re constantly crafting and adding new fonts to keep their body of work fresh and relevant. They’ve also developed a powerful service offer, centred around good design and custom licensing that helps them deliver exactly what their clients need.
In case of any questions concerning licenses you purchased on FontSmith.com, please contact [email protected].
Monotype Fonts
Fontsmith Fonts are included with Monotype Fonts.